This started out as a larger tanto blade, which had developed a small crack during the quench... 

This started out as a larger tanto blade, which had developed a small crack during the quench...

 

I normalised the blade, cut of the portion of the kissaki that had the crack, and re-shaped the kissaki, before claying the blade for the quench.

I normalised the blade, cut of the portion of the kissaki that had the crack, and re-shaped the kissaki, before claying the blade for the quench.

After hardening, you can just see the ghost of the new hamon...

After hardening, you can just see the ghost of the new hamon...

After finish grinding, the blade is given a test etch...

After finish grinding, the blade is given a test etch...

Before forging and brazing a copper habaki, and filing it to shape

Before forging and brazing a copper habaki, and filing it to shape

A brass seppa is made and fitted, and the sycamore wood is split for the saya and tsuka, chiselled out to a precise fit, and glued back together...

A brass seppa is made and fitted, and the sycamore wood is split for the saya and tsuka, chiselled out to a precise fit, and glued back together...

The saya and tsuka are rasped to shape and a mekugi ana is bored, tapered and fitted with a horn mekugi to draw everything up tight...

The saya and tsuka are rasped to shape and a mekugi ana is bored, tapered and fitted with a horn mekugi to draw everything up tight...

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